In turns, epiphany, 2026 Archival pigment print from 4x5 negative, performance 42 x 52.5 in.
In turns, epiphany (detail)
Palpitations of a mundane order, 2026 Archival pigment print from 4x5 negative, performance 42 x 52.5 in.
Palpitations of a mundane order (detail)
Weariness is a sign that this is not the end, 2026 Archival pigment print from 4x5 negative, performance 42.5 x 34 in.
Weariness is a sign that this is not the end (detail)
When everything is everything, the feeling is mutual, 2026 Archival pigment print from 4x5 negative, performance 42.5 x 34 in.
When everything is everything, the feeling is mutual (detail)
The blue period is over, 2026 Archival pigment print from 4x5 negative, performance 42.5 x 34 in.
The blue period is over (detail)
Installation view, 2026
Installation view, 2026
Installation view, 2026
Drawing from my own movement practice, I use my body to dodge and burn light in the darkroom to hide and reveal portions of images. Each image begins as a long-exposure of dancers in motion and consists of several improvised “movement phrases”—performative dodging and burning over iterative prints—layered onto a single final composition.
Together, they form a series of photographic choreographies unfolding across bodies and time in a desire to capture the internal experience of dance itself.